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Ray Privett

Ray Privett is President of Cinema Purgatorio LLC, which he founded.

Cinema Purgatorio is a project- and artist-oriented company that works directly with artists and venues.  Often, this means helping filmmakers find unconventional distribution, exhibition, and promotional solutions.  At other times, the company designs, installs, and supports celluloid- and video-based exhibition systems in movie theaters, performing arts spaces, offices, and private homes in the New York City area and beyond, then assists with film programming / buying / curation, and the managerial and technical support required to show moving images.

In 2000, Privett was hired for the newly created position of Distribution Coordinator at Facets Video in Chicago.  There he worked intensely on the rapid growth of Facets' exclusive import and distribution line. He established and maintained Facets' ongoing DVD import line with ARTE France, which is Europe's leading public television channel and a major source of funding for European audiovisual production.  He also worked on the release of The Outskirts, a modern Russian classic directed and co-written by the late Petr Lutsik; several titles from underground filmmaker James Fotopoulos of Chicago; Muhammad Ali the Greatest, directed by William Klein; Medea, from director Lars von Trier (after a script by Carl-Th. Dreyer); several projects with Amos Gitai of Israel and France; and numerous other independent American, Canadian, European, and Latin American projects.

Privett left Facets in mid-2004, when he was hired as Programmer and General Manager of the Pioneer Theater in New York City.  At the Pioneer, he oversaw that theater’s period of most success.  He was a nearly constant presence at the Pioneer, making sure shows actually went on and then were accounted for, from mid 2004 to early 2008.

Privett founded Cinema Purgatorio LLC in late 2007.  In early 2008, he chose to leave the Pioneer, because he thought he could be more effective in film world activity as his own boss under Cinema Purgatorio, and to work on other performing arts related endeavors.

Cinema Purgatorio projects have included releases, productions, and installations.  With Warner Brothers Records and rock band The Flaming Lips, Cinema Purgatorio is working on the theatrical and non-theatrical exhibition of Christmas on Mars, directed by Wayne Coyne with Bradley Beesley and George Salisbury; the company is also working on several titles with Lorber HT Digital / Alive Mind Media.  Other releases have included a collaboration, with Kino International and International Film Circuit, on the DVD release of four films directed by Lech Majewski; a DVD release of Automatons, written and directed by James Felix McKenney; and a small theatrical release of Trigger Man, written and directed by Ti WestLarry Fessenden produced the latter two titles.  Three feature-length co-productions are in development, as are specialized exhibitions of other titles.  As a technical install, Cinema Purgatorio installed Cinema Purgatorio at KGB / Kraine, a collapsible cinema that functions as an extension to a stage theater within a former speakeasy and Ukrainian-American Socialist Social club.

Privett is author of Amos Gitai: Exile and Atonement, published in English by Cinema Purgatorio and in French by Editions Cinemaction / Le Septieme Art.  He has published in popular and scholarly journals including Millennium Film Journal, Cineaste, Senses of Cinema, KinoEye / Central Europe ReviewThe Reeler, International Documentary, Visual Anthropology Review, TDR: The Journal of Performance Studies, DOX: The Magazine of the European Documentary Network, and elsewhere.  He intends to write additional monographs on other artists (loosely) affiliated with Cinema Purgatorio.

Privett has been quoted or cited in outlets including the New York Times, the Guardian, Wired Magazine, the Reeler, the Chicago Reader, the Village Voice, AM New York, the New York Post, Variety, the Jewish Week, Fangoria, the New York Sun, НОВОЕ РУССКОЕ СЛОВО, Dziennik Związkowy, Nowy Dziennik, Moviemaker Magazine, New City Chicago, the Bergen Record, Twitchfilm.net, Washington Square News, Columbia Spectator, Video Business, indieWIRE, Video Store, and Salon.com.

He has served on juries at the Chicago International Film Festival, Dokfest: the Munich Documentary Festival, and the Karlovy Vary International Film Festival (Czech Republic).
  • Fire Guard certified (F-94) in New York City by FDNY
  • Motion Picture Operator licensed by New York City Department of Consumer Affairs
  • Member, Society of Motion Picture and Television Engineers (SMPTE)
  • Fluent in French; conversant in German and Spanish

View Ray Privett's profile on LinkedIn

Archive of press coverage of Privett's era at the Pioneer

Quotes about that era:

"Living proof that New York City still rocks. . . . . .the go-to place for young filmmakers whose movies are too wild and crazy. . . the Pioneer Theater has become something of a curator for [the new generation of inexpensive, digital movies], presenting the best of these handmade films . . . their programming always picks talent that's worth watching. . . pearls grow from a speck of grit, and there are treasures aplenty down here among the shoestring budgets."
- Grady Hendrix, New York Sun
(quotes gathered from four separate articles)

"Whenever I can, I try to plug the Pioneer Theater in New York's East Village, which is doing the movie gods' work on earth."
- Andrew O'Hehir, Salon.com

"Things get a bit nuttier at places like [the] Pioneer Theater, which shows an utterly indefinable array of films."
- Seth Kugel, New York Times

"Nobody in this small town is more supportive of local independent filmmakers than the Pioneer. Period."
- S.T. VanAirsdale, TheReeler.com

"[the] Pioneer Theater is a true trailblazer, going out on a limb every night to present the most eclectic selection of everything available on film (and video)."
- Andrew Aber, Village Voice "Best of NYC"

". . . it's here, at the Pioneer, where the true indie spirit is alive and well . . . the Pioneer is not just a small venue supporting emerging artists, but the epicenter of an independent film scene . . . His tenure brought exploitation films and great art experiments, documentaries and lesser-seen foreign titles, revivals and anarchist masterpieces."
- S. James Snyder, New York Sun
(quotes gathered from two separate articles)

"[Ray Privett] believes in the type of films that we distribute, which are edgy and often challenge traditional and commercial cinema. In the difficult theatrical market that we currently experience - especially for foreign language films - it's very encouraging to know that there are film programmers that are willing to take risks and consistently champion good cinema."
- Monika Wagenberg, co-President, Cinema Tropical

"I was very impressed.  I thought it was perfect.  I've never been to another theater like that."
- Musician Andrew W.K.

"Much more fun than the Sunshine or the IFC or the Angelika."
- New York Press "Best of New York"

"The Pioneer's programmers display a keen eye for genre flicks, strange indies, and other cult oddities that call to mind the midnight movies of the past."
- Tony Timpone, Fangoria Magazine

"The best little filmhouse in NYC!"
        - DreadCentral.com

Contact Ray Privett here

Privett Links

Selected writing:

Amos Gitaï:
Exile and Atonement

by Ray Privett

Amos Gitaï is the most well-known Israeli filmmaker of all time. This volume considers several films Gitaï directed while living in France during the 1980s, then two other films made after returning to live in Israel in the mid-1990s. The films include the "Exile" and "Golem" films (Esther, Berlin Jerusalem, Birth of a Golem, Golem: The Spirit of Exile, and Golem: The Petrified Garden), and the "Atonement" films (War Memories and Kippur). More.

Also published in French translation by Editions Cinémaction / Le Septième Art, as part of a collection edited by Lucie Dugas.

April Surprise
Essay about departure from the Pioneer, establishment of Cinema Purgatorio, and beginning of work with the Queensbridge Theater.

Sembène's Rainbow (The Reeler)
An appreciation of the late Senegalese filmmaker's work, especially Guelwaar (1992).

Clayton Patterson and the Tompkins Square Park Police Riot Tape (The Reeler)
About the Lower East Side documentarian and his coverage of one of modern New York City's most momentous events.

Resistance and Rebirth: Jancso Films Lead the Way in Major Hungarian Cinema Retrospective at Lincoln Center (The Reeler)
Article about Hungarian cinema.

Belarus: Europe's Last Dictatorship (Pioneering: The Pioneer Theater Blog)
Unabashed promotional material about Long Knives Night and Reporting from a Rabbit Hutch, two films directed by Belarussian dissident Victor Dashuk.

Super Twink World Premiere at the Pioneer (Pioneering: The Pioneer Theater Blog)
Recap of the Pioneer's premiere of this atrocious film, directed by Richard Christy and Sal the Stockbroker. Premiere in association with the Howard Stern show.

For God and Country (or maybe not): Jerzy Kawalerowciz Interview (Kinoeye)
Interview of the Polish filmmaker, mostly about Mother Joan of the Angels, Austeria, and Quo Vadis.

The Country of Movies: An Interview with Dusan Makavejev (Senses of Cinema)
Mostly about Man Is Not a Bird, Love Affair, Innocence Unprotected, W.R., Sweet Movie, and Gorilla Bathes at Noon.

The Strange Case of Noël Carroll (Senses of Cinema)
Interview of the controversial film philosopher, by Ray Privett and James Kreul. Biographical portrait, but also discussions of "sociological" film criticism, non-fiction film, the nature of horror, "medium specificity theory," "new media," etc.

A Cinema of Possibilities: Brian Frye Interview (Millennium Film Journal)
Interview of the avant-garde filmmaker and exhibitor, by Ray Privett and James Kreul.

Bodies in Motion. The Olympics on Film: An Historical Perspective (International Documentary 19.6, July / August 2000. Cover story.)
Cover story about exactly that, featuring works of Leni Riefenstahl, Kon Ichikawa, Bud Greenspan, and others, with some general notes on filming athletics.

Jean-Marie Téno’s Chief! and the Modernist Pan-African Cinema of Exile (Visual Anthropology Review)
Article about a movement, or perhaps tendency, in Pan-African cinema. Article only available in print edition, through purchase.

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